Please note that registration for all Summer 2017 University of Arizona Poetry Center Classes and Workshops opens May 29, 2017. Registration remains open for each class until it fills.

If the class that interests you does not appear below, it is because the class is fully enrolled. You may be added to a waitlist for the class by emailing the Becka Ranta, the Events Coordinator, at rdranta@email.arizona.edu

For more details on the Classes & Workshops program and the four classes this summer, please visit the Classes and Workshops Current Offerings page of the University of Arizona Poetry Center web site.

Pre-registration is now available for the 2017 Thinking Its Presence Conference, and will be open until August 15 at midnight.

Thinking Its Presence 2017 brings together the discipline and art of pedagogy and the arts in general with perspectives from critical race theory, poetics, performance studies, literary theory, literary history, ethnic literatures, and Native American and Indigenous studies. Our mission is to foster a dynamic exchange among creative writers, artists, performers, and scholars. 

The conference will take place in Tucson, Arizona, October 19-21, 2017.

Pre-registration fees (by August 15):
  • General registration: $60  
  • Student registration (non-University of Arizona; must show valid student ID): $30
  • University of Arizona student, staff, faculty, alumni: $15
Registration fees (on or after August 16):
  • General registration: $80
  • Student registration (non-University of Arizona; must have valid student ID): $60
  • University of Arizona student, staff, faculty, alumni: $20
For more information on the conference, including the call for proposals, the 2017 conference theme, keynotes, and more, please see thinkingitspresenceconference.com.
When We Dead Awaken: Reading Adrienne Rich

Class Meetings: Monday and Wednesday evenings, 6-8pm, from July 10 to July 19, in the Poetry Center Conference Room 207.

This short course is designed for poets who wish to have a breakthrough in their own writing.

Of what value is Adrienne Rich’s poetry today for the working artist? Let us survey Rich’s greatest hits, which correspond to changes in her consciousness and which, in turn, shaped the consciousness of the time in which she lived and loved. Perhaps no other poet has stretched the subjective affect of the lyric mode to such meditative, narrative, and rhetorical intentions.

We will read her poems with traditional, experimental, and developing discourses in mind. One of the subtexts of this short course will regard our assumptions about truth and beauty, which abound in Middle Eastern, European, African, and Asian thought as much as in the British romanticism to which we North Americans sometimes gravitate in our early, limited study of poems. What is the current thinking about truth and beauty in contemporary poetry, and how are these inherent assumptions, their substitutes, or their counter-arguments represented in her work?

While Adrienne Rich was always on a poetic quest, with its many difficulties, she knew when it is that we thrive as artists and human beings: “When we dead awaken.”

Text: Collected Poems 1950-2012, Adrienne Rich, WW Norton, 2016. With an introduction by Claudia Rankine.

 

Instructor bio: 

Jane Miller has performed her creative work and lectured on poetry, literature, and the fine arts at universities, colleges, libraries, community centers, and public arts venues for over twenty-five years. Currently Visiting Poet at The University of Texas Michener Center in Austin, she is the recipient of a Wallace Award for Poetry, as well as a Guggenheim Fellowship and two National Endowment for the Arts Fellowships.

Miller served as a professor for many years in the Creative Writing Program at The University of Arizona—including a stint as its Director—and is the author of ten books of poetry and Working Time, a book of essays on poetry, culture, and travel.Recent publications include Thunderbird, a book-length sequence of short poems from Copper Canyon Press, and Midnights, poetry and prose poems published with Saturnalia Press as part of their artist/poet Collaboration Series.

Who Is Trixie the Trasher? and Other Questions is forthcoming from Copper Canyon in 2018.